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How Music Got Free: The End of an Industry, the Turn of the Century, and the Patient Zero of Piracy
Get Free Ebook How Music Got Free: The End of an Industry, the Turn of the Century, and the Patient Zero of Piracy
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Finalist for the 2016 Los Angeles Times Book Prize, the 2016 J. Anthony Lukas Book Prize, and the 2015 Financial Times and McKinsey Business Book of the YearOne of Billboard’s 100 Greatest Music Books of All TimeA New York Times Editors’ ChoiceONE OF THE YEAR'S BEST BOOKS: The Washington Post • The Financial Times • Slate • The Atlantic • Time • Forbes“[How Music Got Free] has the clear writing and brisk reportorial acumen of a Michael Lewis book.”—Dwight Garner, The New York TimesWhat happens when an entire generation commits the same crime?How Music Got Free is a riveting story of obsession, music, crime, and money, featuring visionaries and criminals, moguls and tech-savvy teenagers. It’s about the greatest pirate in history, the most powerful executive in the music business, a revolutionary invention and an illegal website four times the size of the iTunes Music Store. Journalist Stephen Witt traces the secret history of digital music piracy, from the German audio engineers who invented the mp3, to a North Carolina compact-disc manufacturing plant where factory worker Dell Glover leaked nearly two thousand albums over the course of a decade, to the high-rises of midtown Manhattan where music executive Doug Morris cornered the global market on rap, and, finally, into the darkest recesses of the Internet.Through these interwoven narratives, Witt has written a thrilling book that depicts the moment in history when ordinary life became forever entwined with the world online—when, suddenly, all the music ever recorded was available for free. In the page-turning tradition of writers like Michael Lewis and Lawrence Wright, Witt’s deeply reported first book introduces the unforgettable characters—inventors, executives, factory workers, and smugglers—who revolutionized an entire artform, and reveals for the first time the secret underworld of media pirates that transformed our digital lives.An irresistible never-before-told story of greed, cunning, genius, and deceit, How Music Got Free isn’t just a story of the music industry—it’s a must-read history of the Internet itself.
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Product details
Hardcover: 304 pages
Publisher: Viking (June 16, 2015)
Language: English
ISBN-10: 0525426612
ISBN-13: 978-0525426615
Product Dimensions:
6.2 x 1 x 9.3 inches
Shipping Weight: 1.4 pounds (View shipping rates and policies)
Average Customer Review:
4.5 out of 5 stars
177 customer reviews
Amazon Best Sellers Rank:
#256,048 in Books (See Top 100 in Books)
Summary:- this is a captivating and very educational book, and I'm happy to recommend it. It's a one-of-a-kind on the market, and the book's flaws shouldn't deter you from reading it.As a musician, a programmer, a composer, and a millennial, I'm greatly interested in understanding the dynamics of the modern music industry. So, I picked up this book with great joy, and I am very glad I read it. As I read, I felt like I was sitting at a cafe with Stephen Witt - a man who is clearly deeply knowledgeable and full of incredibly interesting stories. As a narrative, the work is captivating. However, as a coherent, edited book, it falls short of perfection.As the other reviews mentioned, Witt carefully interweaves several stories within the book. I felt that the balance between the broader music industry and the individual stories of prolific pirates was a bit jarring sometimes. I greatly appreciated the introduction where the author discusses the academic research that led to the invention of the MP3, and even dives into some of the technical aspects of how music is compressed. As a layman, this was incredibly useful, and I learned lots. I was also emotionally captivated by Dell and Glover's story. The book fell a bit short, however, when it jumped to the broader dynamics within the music industry. Moreover, while Witt's conversational tone can be a page turner, oft-repeated sentence structures and convoluted phrasing would have surely benefitted from a better editor.All in all, I greatly enjoyed the book, but wish it was edited for clarity and slightly restructured for coherence. This shouldn't deter you from reading it, as the benefits still greatly outweigh the cons.
This was one of those books I purchased (for Kindle) as an impulse buy, but found to be a really good one. Stephen Witt does a great job telling the story of the mp3 and how it revolutionized (for better and worse, I suppose) the music industry. He does this through very well-informed alternating chapters told from the vantage point of different characters - one of the inventors of the mp3, a hacker from North Carolina, a music executive at Universal Music, and some bit players like Steve Jobs and a representative from the Recording Industry Association of America.In brief, the story is this: a fledgling technology, the mp3, is basically losing out to the industry's preferred mp2 and the Compact Disc... until music hackers discover the amazing potential for ripping music from CDs and keeping them on their computer. This, obviously, affects the music industry, who never anticipated (or didn't know how to think about) the mp3's rise to prominence. So, the music industry needed a way to stop this technology or incorporate it into their fold, which eventually they did with the rise of the mp3 player (which had questionable legality in its early years, as mp3s were primarily associated with hacking). Now, the music industry deals almost exclusively in selling digital media via the mp3, but even now, the music industry is a shell of its former self in terms of sales. The mp3 basically nudged them to monetize in less profitable ways; not only do they sell songs cheaper than via compact disc (and can't rely on selling whole albums), but venues like Spotify monetize music by selling advertising along with it.So, this is a story ab out how the mp3 had huge effects all over the music industry; not bad for a technology that was largely declared dead in the water during its development. One thing Witt does really well - besides pacing the story like an expert journalist - is that he doesn't moralize too much. Was the mp3's rise because it allowed easy theft so that people could enjoy the fruits of others' labor for free? Or was it a natural and understandable reaction to the cartelization of the music industry (which, during the mp3's rise, was found guilty of collusion to keep the price of CD's up)? Witt doesn't say. If I had to guess, he sympathizes more with the latter (and suggests in the intro that he was one of the kids who got all his music by file sharing services). But he seems to keep the story a bit neutral, allowing each to come to their own conclusions (or read their existing conclusions in).This was just a FUN book to read. It is about entrepreneurship, economics, hacking, and technology's capability to disrupt (not to mention... MUSIC) all in one. I found it gripping. Any music fan - and especially those who think the medium is the message - will too.
A music journalist from the US said to me, "If you want to know why is it that I think the music industry is to blame for its own destruction, this book is all you need." I suppose he's right; they didn't want to adapt themselves to the changes, technology-wise...How Music Got Free is a very entertaining read. The reader gets to know everything that has to do with the way music developed since the 1960's while feeling like Witt is right there in the living room with you, telling how it's all been, coffee mug in hand. Highly recommended to anyone who's a music nuts, also to rising musicians who nowadays see themselves having their music on iTunes, Spotify and other digital stores. It's important to know the story behind the ways of distributing music, past and present.
Gaming directly in the author's age group and recalling this transitory period well, this was a gripping look at some of what transpired behind the scenes to change music forever. While it focuses on just three different people (and a 4th in Oink that helped replace Fraunhofer's role), the breath and complexity of the story woven felt complete.I think one of the most fascinating elements of the book are the points where with 20-20 hindsight you see just how clueless folks can be about the opportunities in technology. Introducing the telephony jukebox, I immediately thought "Holy cramp, it's Spotify 30 years to early!" Or the hubris of the music industry.I found myself being shamefully impressed with a music executive, despite my low opinion of the industry. And that's okay. This is a compelling read, with many layers.
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